Official sponsors for the 2013 CineMayhem Film Fest include Jumpcut Café ( Scream Factory ( screamfactory), and Daily Dead ( To keep up with all the CineMayhem to come this March, fans can follow us on Twitter at /CineMayhem or “Like” the CineMayhem Film Fest on Facebook at CineMayhemFilmFest. The short films selected for the final night of CineMayhem include Patrick Rea’s THE HOURGLASS FIGURINE and THE SUMMONERS by Christian Ackerman. I don’t remember why or when or where, but I do remember the manner in which it enthralled and intrigued me. On Saturday, March 29th, CineMayhem will be hosting New World Pictures’ cult comedy classic VAMP with the film’s co-star Robert Rusler ( A Nightmare on Elm Street 2: Freddy’s Revenge, Weird Science, Sometimes They Come Back) in attendance for a special Q&A the short film selection for Saturday evening includes Rebekah McKendry’s FOUND and MIRACLE ON METAL STREET by Carl Bachmann.įor the final night of CineMayhem, horror fans in attendance will be paying tribute to visionary storyteller, filmmaker and artist Clive Barkerwith a rare exhibition showcasing his “Moontribe” art series, a special viewing of HELLRAISER and more surprises to be revealed that evening. But is Jumpcut Academy a scam or completely legit training program Youll learn more about it in. I can’t really remember the first time I watched ‘American Psycho’. CineMayhem will also have some special giveaways that evening courtesy of Scream Factory including posters and Blu-ray copies of THE FOG. Also screening that Friday evening before THE FOG is UK filmmaker Paul Davis’ latest short film THE BODY which has received rave reviews from festivals worldwide. in Studio City, CA) by expanding its celebration of independent horror to three days, beginning on Friday, March 28th and running through Sunday, March 30th and offering passes to each CineMayhem 2014 event at NO CHARGE.ĬineMayhem Film Fest will kick-off on March 28 th with a special screening of John Carpenter’s THE FOG with the Master of Horror himself in attendance that evening for a very intimate Q&A to start the evening’s festivities. For its second year, CineMayhem Film Fest is breaking tradition in order to create a truly unique experience for indie horror fans at its new location, Jumpcut Café (13203 Ventura Blvd. "With the opening night celebration of CineMayhem Film Fest just eight days away, we’re pleased to reveal a special poster gallery celebrating the classic film selections for its second year including THE FOG (1980), VAMP (1986) and HELLRAISER (1987) which were designed by Chelsea Patterson of Cutestreak Designs.Ĭreated in 2013 by producer and horror journalist Heather Wixson, CineMayhem Film Fest celebrates the legacy of independent horror and the films that have- and continue to- change the landscape of genre cinema. All new posters were designed for the three feature screenings and we have them for you to check out:
#CRISTIAN JUMPCUT ARCHIVE#
Jump Cut, 1974-2000: The Internet Archive hosts a collection of all issues from the beginning until 2000.CineMayhem 2014 takes place later this month at Jumpcut Café with special screenings of The Fog, Vamp, and Hellraiser, and a number of special guests, including John Carpenter.As of September 1, 2019, its back issues are available on the Internet Archive for reading or downloading in a variety of formats. of Christian Marclays gramophonia / Thomas Y. Soon after, it began releasing issues online. editor of compilation: Criqui, Jean-Pierre Author: Marclay, Christian Essays. Position: Pitcher Bats: Right Throws: Right 6-1, 213lb (185cm, 96kg). Jump Cut was published in print until 2001.
Distribution was initially done by volunteers driving copies to newsstands in Chicago-where Kleinhans and Lesage took college-teaching jobs-and San Francisco/ Berkeley, California-where Hess settled. Netflixs Geek Chic: How One Companys Big Data Changed the Entertainment Industry.
Costs were kept low by publishing on newsprint in tabloid format and typing the copy on an electric typewriter (instead of having it typeset). From Zero to Hero: The CIA and Hollywood Today.
#CRISTIAN JUMPCUT FREE#
Each editor contributed $1,000 toward each issue so that they could be free of advertising. Kleinhans remembers, "e were actually sitting having a coffee in the university library and saying, 'We should start a film journal,' because John published something in Film Quarterly and Julia and I had published something too." After formulating the journal's principles and gathering articles during 1973, Jump Cut's first issue was released in 1974. Hess, Kleinhans, and Lesage met in Bloomington, Indiana while they were attending graduate school at Indiana University, circa 1970.
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